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https://www.nybooks.com/articles/2024/05/09/the-must-also-haves-nicole-eisenman/
The Must-Also-Haves | Julian Bell | The New York Review of Books
Apr 25, 2024 - In Nicole Eisenman's paintings and sculptures, a system’s impending demise may reveal itself in feverish hilarity.
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https://www.nybooks.com/articles/2014/06/19/mystery-great-piero/
The Mystery of the Great Piero | Julian Bell | The New York Review of Books
Feb 19, 2026 - Scholarly spats are the salt of art history, lending it savor. The pettier, one may feel, the more piquant. Readers of these pages will have enjoyed the
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https://www.nybooks.com/articles/2023/12/21/the-emptied-cosmos-gabriel-pihas/
The Emptied Cosmos | Julian Bell | The New York Review of Books
“Does the world ever speak?” My grandson—an impossibly inquisitive four-year-old—once stopped me in my tracks with that. Years later, I still wonder how
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https://www.nybooks.com/articles/2025/05/15/internalizing-the-crises-art-in-a-state-of-siege-koerner/
Internalizing the Crises | Julian Bell | The New York Review of Books
May 6, 2025 - Joseph Leo Koerner's latest book considers what art becomes when politics has been stripped down to relations of force.
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https://www.nybooks.com/articles/2026/05/14/drawn-to-the-void-wright-of-derby/?printpage=true
Drawn to the Void | Julian Bell | The New York Review of Books
John Wright of Derby introduced chiaroscuro to British audiences, using everything from blazing bladders to ivory planets to illuminate his dazzled subjects.
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